Recently I have been going through my old copy of Philip
Farkas’ The Art of French Horn Playing
when I practice.1 His chapter on endurance has some ideas that are
spot-on for exercise as well as playing the horn. For example,
Endurance is not acquired quickly
or easily. It is a process of developing muscles which nature never intended to
do more than “bare the fangs” in more primitive days. Yet these light, delicate
muscles must be strengthened to the point of withstanding for several hours a
day the various types of punishment put upon them by brass playing.2
Most people don’t focus on strengthening relatively small,
weak muscles like facial muscles when they exercise, but Farkas’ point that
endurance is not acquired quickly or easily is true for any muscle. And while I
can’t confidently assert that humans have lost much of the endurance we
possessed in “more primitive days” because we now have faucets and cars and
combines, some scholars have argued this.3 At any rate, I know I
would have to exercise a lot more to withstand the whole-body equivalent of an
elite brass player’s regimen.
Farkas again:
A cross-country runner does not
gain [her]4 endurance by strolling around the block, and the
musician will not get [hers] by practicing for a half-hour daily. [She] must
endure until endurance is achieved. The point at which one finally becomes
tired during [her] practice day is a very valuable moment and should not be
wasted. When else can one practice the ability to endure? Certainly not when
the lip is fresh. Therefore, in my own case, it is almost a point of honor to
go on for another five minutes just when I think I cannot possibly continue. In
doing this, I am very careful to use good judgment. The very high notes are
avoided, as is fortissimo; but a few
minutes of mezzoforte middle-register
notes will not be harmful, and they will give the strength, will power, and
confidence to know that I can go on.5
Excellent points here, Mr. Farkas, and an inspiring example
you have set. (Though occasionally, when I want to throw my horn out the window
in frustration and fatigue, your example seems a bit too good to be true.) Push
yourself to achieve results—an extra lap, three more repetitions, five more
minutes, once more through the etude—but not rashly. It reminds me of things Jillian
Michaels says on her workout DVDs. Farkas and Jillian: they’re not exactly
twins, but they’re singing the same tune.
Image
sources: derekspratt.com, popworkouts.com
1. Philip Farkas, The Art of
French Horn Playing (Miami: Summy-Birchard Inc., 1956).
2. Ibid, 62.
3. For example, http://phys.org/news175332184.html and http://www.usnews.com/news/articles/2012/05/01/evolution-says-youre-weaker-and-more-disease-prone-than-your-ancestors.
4. Farkas uses male pronouns
throughout the book, so I will do the opposite.
5. Farkas, Art of French Horn Playing, 63.
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